I've decided to move my blog to Wordpress, as the Blogger editor has been getting pretty grating lately.
Come on over, do the twist....
Come on over, do the twist....
"There are, in every age, new errors to be rectified, and new prejudices to be opposed." - Dr Johnson
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| Aristotle: not a Libertarian |
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| The Life Aquatic With Steve Zissou: a film almost entirley about unpaid interns |
"While business gurus were proclaiming the new dominance of creativity and innovation over mere production, the growing ease with which information was transmitted and reproduced made it harder for creators to profit from their creations. Nowadays, if you develop a marvelous piece of software, everyone will have downloaded a free copy from the Net the next day. If you record a magnificent concert, bootleg CD's will be sold in Shanghai next week. If you produce a wonderful film, high-quality videos will be available in Mexico City next month.
With the recent permission for product placement in UK media, and the familiar tale of the decline of the music publishing business, this all seems almost trite. From 1996, however, this was still something of a punt, and a very accurate one from someone outside the "creative" sector.How, then, could creativity be made to pay? The answer was already becoming apparent a century ago: creations must make money indirectly by promoting sales of something else. Just as auto makers used to sponsor grand prix racers to spice up the image of their cars, computer manufacturers now sponsor hotshot software designers to build brand recognition for their hardware. The same is true for individuals. The royalties that the Four Sopranos earn from their recordings are surprisingly small; the recordings mainly serve as advertisements for their concerts. The fans attend these concerts not to appreciate the music (they can do that far better at home), but for the experience of seeing their idols in person. In short, instead of becoming a knowledge economy we became a celebrity economy."
Ed Balls’ irresponsible attack on Mervyn King is a clearly calculated attempt to undermine the Bank of England for Balls' own narrow political ends. Balls both approved Mervyn King's appointment and supported King as Governor when he was Chief Economic Adviser to the Treasury. Balls was central to creating the record deficit left by Labour, yet who has no plan for clearing the mess up. However, this campaign is misconceived to the very point of daftness. Companies have to comply with the relevant tax regime: they really have no choice.DAG makes a fair point - the campaign is about tax avoidance rather than tax evasion, so political lobbying should be at the fore - but he has to skirt a few better ones to do so.
"It's just a snapshot of the way in which travel costs can have much wider economic ramifications than the inability to fill the tank without thinking much about it and drive down to visit your aunt on the south coast at the weekend."No it isn't. Firstly, it isn't a "snapshot". It's an example, or (if she's lucky), an emblem.